I ended up UV mapping the eyes and painting them in Photoshop because I needed a bit more control and finer detail.
Instead, I went straight in and used the vertex paint brush inside Sculpt mode, currently in the latest experimental build of Blender 2.93 alpha (so try this at your own risk!). This means I didn't retopologize the model. Then it was time to paint the face.īecause of personal time constraints, I planned this to be a quick exercise. I did something similar for the eyelashes. Check his tutorials out here!įor the eyebrows, I just added a plane with a shrinkwrap modifier targeted to the sculpted mesh, modeled it, and then I applied the solidify modifier to add a bit of thickness. Although he uses ZBrush more than Blender for the sculpting part of his projects, he teaches how to construct believable anatomy alongside how to use the tools, and these teachings are extremely valuable regardless of the software you use. I watched a lot of Danny Mac’s tutorials for this. Then, with the grab, smooth, and clay strips brushes, I roughed out the anatomy, focusing on getting the face planes right. Once the base mesh was in place, I applied the Remesh tool with a voxel size of around 0.01 to merge all the objects together into a unified mesh. I started by building a base mesh out of simple objects joined together, then went into Sculpt mode and used the Grab brush to shape the modeled mesh. Decora style / Haruka Kurebashi Blocking up the base mesh
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